Gullible Jones wrote:I think you're missing his point, Rommie.
Maybe action movies are an American mythical archetype, like the Hero WIth A Thousand Faces. Okay, fine. What Eastwood is doing then is building a simple archetypal fantasy around a morally complex (and questionable) ongoing war. He's presenting a real, violent situation through the rose-colored lens of a feel-good story. He is using saccharine fairy-tale bullshit to justify ethically questionable actions on part of his country. IOW, he's creating propaganda, and I think it's perfectly reasonable to call him out on that.
Edit: and not just Eastwood. I think Taibbi also correctly points out that action movies have a history as propaganda, and not necessarily for just causes.
Gullible Jones wrote:I think you're missing his point, Rommie.
Maybe action movies are an American mythical archetype, like the Hero WIth A Thousand Faces. Okay, fine. What Eastwood is doing then is building a simple archetypal fantasy around a morally complex (and questionable) ongoing war. He's presenting a real, violent situation through the rose-colored lens of a feel-good story. He is using saccharine fairy-tale bullshit to justify ethically questionable actions on part of his country. IOW, he's creating propaganda, and I think it's perfectly reasonable to call him out on that.
Edit: and not just Eastwood. I think Taibbi also correctly points out that action movies have a history as propaganda, and not necessarily for just causes.
Gullible Jones wrote:Edit: the "feel good" is the glossing over of war crimes, and turning it into a sob story about the noble heartfelt sacrifice of one American soldier. Five hundred thousand civilians died in our little invasion of the wrong damn country.
Edit 2: look - I know I'm waxing way political here, but politics can be a moral issue. Killing hundreds of thousands of people for political reasons is in the wrong, regardless of how noble the political goals behind it (supposedly) are.
Nazis murdered for a biologically perfect vision of humanity. Communists murdered for a socially perfect vision of humanity. What's to keep Americans from murdering for their own political vision of perfection? Being somewhere in the fuzzy middle of the political spectrum won't help us, if we don't stop and think about what we're doing from time to time.
brite wrote:1. Politics is not moral. It’s situational ethics.
2. There is no morality in war. There is, however, collateral damage.
3. Soldiers are people who are doing a really sucky job that most people don’t want to do, but are willing to sit back and pontificate about.
4. Mr Kyle was in all probability suffering from undiagnosed PTSD and very highly functioning at that. Doesn’t excuse his character flaws, but it does kind of explain them. (take this from someone who is a high functioning sufferer of PTSD)
5. Mr Taibi is a jackass.
Fisher wrote:Because as far as I know neither of those two have been charged with war crimes.
500,000 to upwards of 1,000,000 civilians died in the Iraq war and it's aftermath. True statement. And the U.S. was not responsible for killing 99% of them ( Ok I will admit. I made up the 99%). The truth is that it was Iraq terrorists and fundamentalists of Sunni and Shia persuasion who killed the vast majority of those civilians.
Not always... see the definition of situational ethics. Also, you are assuming that the government is a kind helpful thing. It’s not. While a governmental system looks really good on paper, once you add the human element to the mix, it goes to hell in a hand basket.Gullible Jones wrote:And this is not a problem why? Shouldn't it be about improving the human condition?
Yes, real lives are getting snuffed. People you might know and love in a war zone may die. Such is the nature of war. War sucks. As for keeping a lid on it?? Well... here’s the deal -- through out history, war is usually fought over 3 things - land, resources and religion. The current conflicts are being fought over at least 2 of the 3...aka real people with real lives getting snuffed out. Any of those people could be a friend, family, someone you love. I won't argue that war is never necessary, but maybe we should try to, you know, keep a lid on it?
And yet you are willing to pontificate about it.I don't see how that makes a difference. Being a soldier doesn't make one, or one's country, always in the right.
brite wrote:Not always... see the definition of situational ethics. Also, you are assuming that the government is a kind helpful thing. It’s not. While a governmental system looks really good on paper, once you add the human element to the mix, it goes to hell in a hand basket.
In a time of war, improving the human condition, is NOT the primary consideration. Winning is. We are NOT winning.
Yes, real lives are getting snuffed. People you might know and love in a war zone may die. Such is the nature of war. War sucks. As for keeping a lid on it?? Well... here’s the deal -- through out history, war is usually fought over 3 things - land, resources and religion. The current conflicts are being fought over at least 2 of the 3...
War is also the failure of diplomacy. So who failed?
And yet you are willing to pontificate about it.
Rommie wrote:Dunno man, you're talking to a girl who thinks Casablanca is the best movie ever made,
SciFi Chick wrote:You walk a dangerous line when you conflate soldiers with government. Deciding that Chris Kyle is not a hero because the U.S. government shouldn't have been in Iraq is just wrong. Soldiers have to follow orders. And don't start in about Nazis and how maybe they shouldn't have followed orders. There is a world of difference between a legal and an illegal order, and yes, you can have legal orders within an illegal war. This shit is complicated. Don't oversimplify it by going after the easy target of just saying all soldiers should question every order they're given.
Gullible Jones wrote:One white American guy, at that.
Gullible Jones wrote:You tell me. Who preemptively invaded a country that hadn't attacked us yet, based on dubious and possibly falsified intelligence?
(Yes, I know; 20/20 hindsight. Even so.)
GJ wrote:I think Taibbi also correctly points out that action movies have a history as propaganda, and not necessarily for just causes...
...I'm not saying Chris Kyle's story doesn't deserve to be told. There are lots of white American guys with interesting stories that people should hear; it's just that we have a huge media bias towards presenting white American dude stories, and there are even more people with interesting stories who aren't white American dudes. And when you think about Iraq, the vast majority of people affected by the war are not white American dudes. Given that, I think that singling out another white American dude story out of the whole situation, and making it another white American dude action/drama flick, is... well, at least a little tasteless.
SciFiFisher wrote:Gullible Jones wrote:You tell me. Who preemptively invaded a country that hadn't attacked us yet, based on dubious and possibly falsified intelligence?
(Yes, I know; 20/20 hindsight. Even so.)
Factually speaking it was a UN coalition acting on a UN resolution. Just sayin. Yes, the U.S. had the largest number of troops and was the front runner. But, (I will repeat it because it is worth saying again) It was a UN backed coalition of countries that invaded and maintained a military presence in Iraq. And they were acting on a UN Resolution. Keep repeating that. Because you keep talking as if the U.S. acted unilaterally and without any regard to what the rest of the world was doing.
SciFiFisher wrote:And as for your claim that the U.S. has committed war crimes I would suggest you research the definition. and look at what the U.S., the U.N., and the rest of the world consider to be a war crime. Because I think you are confusing your own decision that the war was immoral and therefore illegal with what constitutes a truly binding case of war crimes committed by a sovereign nation. Crimes committed by individuals may have been "war crimes" but to best of my knowledge the U.S. as a country has not committed a war crime. If you have factual proof that you can cite please do.
vendic wrote:Considering the way Hollywood has portrayed soldiers as near sociopaths over the last few years and no one calls it propaganda or even biased, why is this film considered propaganda?
Is it simply because it has a different perspective to the one you want?
If you're not saying this film doesn't deserve to be told, but think it shouldn't have been done because there are other stories to do, then what you are saying is you don't approve of a film maker to do what story he/she wants to do. That's some seriously dark road you're headed in.
Gullible Jones wrote:@swift, I'm not blaming every single soldier. I'm not even putting particular blame on Chris Kyle, though Taibbi seems willing to.
In 2001, Taibbi wrote an article about a dispute he had with a New York Times writer. Taibbi gleefully described how he prepared a cream pie made with horse sperm and humiliated the writer by throwing it at his face and photographing the encounter.
...
Journalist James Verini, while interviewing Taibbi in a Manhattan restaurant for Vanity Fair, said Taibbi cursed and threw a coffee at him, then accosted him as he tried to get away, all in response to Verini's volunteered opinion that Taibbi's book, The Exile: Sex, Drugs, and Libel in the New Russia, was "redundant and discursive".
Gullible Jones wrote:Tell you what - there are writings about this stuff (both scholarly and for lay audiences) that do a way better job of explaining it than I could. I'll post some links later, I should stop trying to mansplain this stuff myself anyway.
Gullible Jones wrote:I'll let him speak for himself, as I don't really have much to add:
http://www.rollingstone.com/politics/ne ... e-20150121
There's the obligatory somber scene of shirtless buffed-up SEAL Kyle and his heartthrob wife Sienna Miller gasping at the televised horror of the 9/11 attacks. Next thing you know, Kyle is in Iraq actually fighting al-Qaeda – as if there was some logical connection between 9/11 and Iraq.
Gullible Jones wrote:Thanks very much for the thoughtful input, SFC.
Perhaps Taibbi is ripping on Kyle himself unfairly - I don't know, I didn't read Kyle's book.
In the film, Kyle uses the word “savages,” but “American Sniper” doesn’t make room to explore the depth of his contempt for Iraqis that comes through in his memoir. He drove remote-controlled cars at them at high speed for the pleasure of watching their alarm: “Their high-pitched screams, coupled with sprints in the opposite direction, had me doubled over. Cheap thrills in Iraq were priceless,” Kyle wrote. He bragged about stealing from their homes against orders. He compared them to U.S. welfare recipients in their dependency and inability to handle freedom.....I understand why Eastwood might have wanted to avoid these elements of Kyle’s memoir, as well as his distaste for the military’s civilian leadership and his belief that the United States never really wanted to find any weapons of mass destruction. They make Kyle a harder sell, both to people who already see the war on terror as fundamentally racist and to those who adamantly deny that it is animated in any way by anti-Arab bias.
But “American Sniper” would have been a much bolder movie, and much more interesting, if it had been willing to explore the proposition that society has a use for people who enjoy violence and who find it relatively easy to turn the people they kill into abstractions. Alternately, Eastwood might have connected one of the central moments in “American Sniper” to more complicated stories Kyle told about himself.
Kyle had written that he'd decked a man called "Scruff Face" at a bar in Coronado, Calif., after the man insulted the Navy SEALs.
In promotional interviews, Kyle said Scruff Face was Ventura, himself a former SEAL.
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